We’ve all been on that harrowing sprint— perhaps one too many coffees taking their toll as your mind starts racing, eyes darting around for any sign of relief. This is a feeling all too familiar for New Yorkers, a city where there is only 1 public restroom for every 8,500 residents. As Mayor Mamdani said: “Everyone knows the feeling of needing a bathroom and not being able to find one.” This film, I Need to Pee! aims to bring that issue to life as an animated comedy.  It’s about a real New York problem — told through the eyes of a Brooklynite who just really, really needs to find a bathroom.

This is a film that punches back at the maddening state of the world today. It’s an aggressively handmade, clear-cut comedy that highlights one of the most important fixtures of the modern world. When you’re cast out onto the streets of an unforgiving city, a toilet is more than just a plumbing fixture— it’s a beautiful porcelain companion. When loved ones fail you, you know a toilet will always be there to help you through your most vulnerable moments.

This film has been my own story more times than I’d like to admit — I’m a former New Yorker with a notoriously small bladder, and the frantic search for a bathroom is one I know intimately. As an animator, making a film about it felt like the only reasonable response. Our team is led by industry professionals, with experience at Walt Disney Animation Studios, Pixar, and Paramount, committed to doing this story justice with a high level of visual quality. Our production ahead is clear, armed with a stellar script, strong visual development, and a full animatic, we aim to enter production with a straightforward roadmap for the journey in front of us.

All that said, this project doesn’t come to life without you. At its heart, this is a small, weird, deeply human story — the kind that rarely gets made anymore. Your support is what proves that it should. Thank you very much for your contribution.

Our Films

Format: 3 x 50’ 4K+ Documentary Series

Production Company: Moving Pictures Africa

Producer/Cinematographer: Robert Hofmeyr

The Misfits is an intimate documentary series that transports viewers into the lives of the lions living alongside the Chobe River in Northern Botswana. The story unfolds in a spectacular environment shaped by a remarkable river that flows in both directions, serving as a crucial water source for thousands of animals.

Unlike traditional lion documentaries that focus on dominant, ruling prides, this series shines a spotlight on the “undercats”. We follow the Misfits, a unique sisterhood of lionesses living in the perilous no-man’s-land between the formidable Riverfront and Ngoma prides. Lacking adult males of their own to protect them, this unique coalition must rely entirely on their intelligence, cunning, and teamwork to survive in this incredible environment.

Rather than utilizing a standard factual voiceover, the story of The Misfits will be narrated by a local woman storyteller. Adopting the style of a traditional fable or folk tale, the narration weaves together the lives of the lionesses, other animals, and the river itself into a single, immersive narrative. The Chobe River acts as the unifying thread, acting as a silent witness to every birth, hunt, and conflict.

The Characters

Broken Paw: The heart of our story and a symbol of pure resilience. Despite a severe injury sustained over four years ago that should have been a death sentence, this amazing lioness has survived through the fierce loyalty and cooperation of the sisterhood. Today, she is successfully raising a cub of her own – a living testament to the Misfits’ strength.

Stumpy: The fearless leader, named for her missing tail tip. A master strategist who orchestrates the pride’s movements and teaches the next generation the art of survival.

Blackmouth: Unlike most cats, Blackmouth submerges her entire face when she drinks, and as a result she usually has mud on her chin. She is a devoted mother raising a new litter against impossible odds in a territory patrolled by rivals.

Lucky: The youngest of the Misfits. So far, she has been lucky and has no obvious injuries or quirks.

Production Status

Over the past three years, our team has spent over 26 weeks in the field across nine shoots. We have already captured over 250 hours of 8K50p RAW footage, documenting hunting sequences, new cubs, and the complex dynamics between the lions, leopards, and elephant herds of the Chobe ecosystem. We have finished filming episode 1 and most of episodes 2 and 3 and we are currently raising funds for post-production and to complete the final 10 weeks of filming during the dry season of late 2026.

Our Films

History on the Road is an immersive television series concept created by Daniel Tobias Flint that brings American history to life by connecting national events to the local communities where they unfolded. Through engaging storytelling, on-location experiences, and collaboration with students, historians, and local residents, the series transforms traditional history education into an interactive journey across the United States. Each episode highlights how ordinary communities helped shape the broader American story, creating a meaningful connection between the past and present.

Produced by Amelio Media and led by award-winning documentarian Nicole Amelio-Casper, M.A., the project combines cinematic storytelling with educational outreach and community engagement. Rather than focusing solely on mainstream historical narratives, History on the Road explores the overlooked stories, hidden landmarks, and powerful local histories that helped define America. The series will examine subjects ranging from immigrant communities and industrial movements to Native American heritage and military history, bringing audiences face-to-face with the people and places that shaped the nation. Through reenactments, interviews, and immersive on-location filming, the series inspires viewers to see history not as distant events in textbooks, but as living stories rooted in communities across the country.

The first pilot episode, projected at a production cost of $220,000, will be filmed in historic downtown Philadelphia and surrounding areas rich with untold American history. The episode will explore Philadelphia’s deep Revolutionary War roots, hidden military history, immigrant influences, and the city’s role in shaping the foundation of the United States. By partnering with local schools, historians, museums, and community organizations, the pilot will create an authentic and educational viewing experience while serving as the foundation for the larger multi-year series. History on the Road aims to become both an engaging television series and a lasting educational resource that reconnects audiences nationwide with America’s shared history.

Our Films

Six film students, one dream, and nothing to lose. 

Keep Rolling is a found footage horror movie, told from the camera of Jessie, a wide eyed college freshman, eager to immerse herself in the world of filmmaking. Jessie has landed the lead role in a thesis film directed by West Bay University prodigy, Torrence. Eager to prove herself, Jessie dives in head first. However, the shoot quickly deteriorates due to battling egos, relationship drama, and limited resources. That’s when Torrence begins acting…strange, as if something supernatural has taken a hold of him. Torrence begins pushing the crew to extremes, life threatening extremes. Jessie quickly realizes that this isn’t what she signed up for, but how far will she go to make her dream come true? 

At its core Keep Rolling is really a story about that moment where dreams meet reality, and the loss of innocence that comes with it. Jessie’s journey is one that everyone has experienced. Whether it was a job you thought you’d love but ended up hating, or a romance you thought would go the distance, but went up in flames, daring to dream always carries the risk of being crushed; but we do it anyway. With Keep Rolling we will explore how far that can really go.

Our Films

In the past two years, a record number of Americans have lost their homes due to hurricanes, floods, wildfires, severe rainstorms or hail, and windstorms. The pace and severity of these climate driven natural catastrophes is accelerating. In many regions, insurance premiums are soaring—or insurance is disappearing altogether. A new term has entered the American vocabulary: “insurance deserts,” where homeowners and businesses can no longer obtain affordable, comprehensive coverage.

Climate scientists are unequivocal: extreme weather will intensify. Increasingly, insurance industry leaders are saying the same—some warning privately that the system itself is under existential strain.

What happens when the mechanism designed to absorb risk can no longer do so?

The Project
We propose a series of cinematic documentaries that clearly and viscerally reveal the human and economic consequences of this unfold ing crisis.

Despite the scale of the threat, most Americans have not yet grasped its severity or its underlying causes. Coverage of individual disasters is often vivid, but fragmented—rarely connecting the dots between climate change, the accelerating frequency of catastrophic events, and the growing instability of the insurance system that underpins the economy. This series will make those connections unavoidable.

This proposal is, most of all, the brainchild of David Gelber, who spent 20 years as a producer at 60 Minutes and was Executive Producer of the Emmy Award–winning series Years of Living Dangerously, widely regarded as one of the most powerful documentary series ever produced on climate change.

The Approach
Over a 12-month period, we will produce a series of documentaries, each about a half-hour long, focused on a major extreme weather event.

We will follow families and communities from the onset of disaster through its aftermath—capturing not just the destruction, but the long tail of consequences: displacement, financial strain, and the struggle to rebuild in an increasingly uncertain future.

Each episode will focus on a different type of catastrophe—floods, wildfires, droughts, windstorms—across diverse regions of the United States. Individually, these films will be powerful. Together, they will re- veal a larger, unmistakable pattern: a system under mounting stress. We already have distribution options that will ensure that the series reaches a large audience.

The Insurance Story
Running through every episode will be a deeper, less visible narrative: the growing strain on the insurance industry itself. Insurers are the “canaries in the coal mine” of climate risk. But unlike miners, they cannot simply exit when danger becomes clear. Instead, they are retreating selectively—raising rates, withdrawing coverage, and leaving entire regions exposed.

What does this mean for homeowners, for financial markets, and for the broader economy?
We will answer that question by telling the stories of what happens
when people who thought they were protected discover they’re not—and what that means for everyone else.

We’ll track how insurers respond in real time—during and after catastrophic events—and examine the widening gap between what the industry understands and what it is able —or willing —to do.

Our editorial guidance will include two of the nation’s leading experts on climate risk and insurance:

ï Dave Jones, former California Insurance Commissioner, now Director of the Climate Risk Initiative at UC Berkeley School of Law
ï Dr. Alice Hill, senior fellow at the Council on Foreign Relations

The Pilot
We’ll begin with a pilot episode examining the Altadena Fire in the foothills of Los Angeles, one of the costliest extreme weather events of 2025. The New Yorker’s Bill McKibben will be the correspondent for this episode. He’ll be in Los Angeles to tell the Altadena story. He’ll work closely with Professor Dave Jones, former California Insurance Commissioner and current director of the Climate Risk Initiative at UC Berkeley. Jones has cited the Altadena fire as a prime example of the “uninsurable future” created by the climate crisis.

The fire destroyed approximately 10,000 homes, including a devastating share of Altadena’s historically Black community, and exposed the growing dangers of the wildland–urban interface, where development
meets increasingly volatile landscapes.

This story is not only about loss. It is about vulnerability—and who bears it.

Why Now?
This series would have been important at any point over the past 10 years. Insurers have gone from absorbing roughly $100 billion to now $148 billion in annual weather-related losses.

But the window for understanding—and responding—is closing. We are entering a period of intensified warming. Forecasts from the National Oceanic and Atmospheric Administration (NOAA) and the World Meteorological Organization suggest the coming year could be the hottest on record, increasing the likelihood of severe flooding, pro- longed drought, and large-scale wildfires.

The risks are no longer theoretical. They are landing in devastating losses and compounding, accelerating, and outpacing the systems designed to manage them.

The Goal
Our goal is simple: to make this crisis visible, comprehensible, and impossible to ignore.

Because when insurance fails, the consequences do not remain confined to one industry. They ripple outward—through housing markets, banking systems, municipal budgets, and ultimately, the stability of the broader economy.

This is not just a climate story. It is a story about systemic risk that threatens our way of life.

And yet, despite this risk, one which grows more threatening every year, media coverage of it is at a low ebb. That’s why we’re committed to rekindling public awareness of the greatest threat we face. 

The Team

David Gelber – Executive Producer 

Award-winning producer at 60 MINUTES for 20 years, and Executive Producer of Peter Jennings Reporting at ABC News for three years. He was the Executive Producer of the Emmy Award-winning Showtime documentary Years of Living Dangerously, acclaimed as one of the finest documentary series on climate change ever produced.

 

Sasha Schell – Producer and Camera

Documentary filmmaker and open-source investigator at the Berkeley Human Rights Center. His work blends digital investigative methods and traditional reporting. He spent 3 years at PBS FRONTLINE investigating conflicts in Syria and Afghanistan.

 

 

Jon Meyersohn – Producer

Award-winning producer and director of television documentaries. Beginning at CBS News and ABC News. Jon has produced in-depth documentary series for History, Vice, National Geographic, CBS News, and Paramount+. He worked closely with David on Years of Living Dangerously.

 

Tracy Wholf – Producer

Award-winning journalist and senior producer reporting on climate, energy policy, sports and much more for CBS News, ABC News, ESPN, and PBS Newshour.

 

 

Bill McKibben – Correspondent

Bill McKibben is an American environmentalist, author, and journalist who has written extensively on the impacts of global warming. His most recent book, Here Comes the Sun (2025) is about the state of the environmental challenges facing humanity and future prospects. Time Magazine has described Bill as “the world’s best green journalist.”

Our Films

Set on the legendary and stunning Nantucket island, BRIGHTER STARS tells the story of James Miller, an ambitious young man who dreams of being the next big star of Hollywood’s Golden Age. However, James’ heart has long belonged to his childhood friend, Harry Goulart, with whom James shared his first real intimacy. When Harry announces his engagement to the kind and intelligent Nancy Garofalo, James is distraught and his dreams are threatened. That is, until he meets Marco Ferreira, a newcomer to the island who quickly falls for James and encourages the troubled young man to embrace the strength within him. As love and lust come to a head, the Great Depression sweeps the island community, forcing James to fight for survival, protect his beloved home, and strive for a better future beneath the promise of BRIGHTER STARS.

PROJECT BACKGROUND
Much like the ambitions of its main character, BRIGHTER STARS began as an ambitious dream. Author Logan Kelly first began thinking about the story of James Miller back in 2013 but didn’t begin serious work on it until late 2019, when he finally sat down to outline the historical epic. Then, came the COVID-19 pandemic. During those many months, Kelly finished the outline and decided he had no choice but to finally begin the book itself.

However, even in those early days, Kelly was dreaming of something bigger, something that would bring audiences together for an event that (despite its historical setting) would hold a mirror up to our current world and inspire hope. Indeed, it was a dream as big as the movies. Following his move to the New York Metro Area, Kelly was introduced to rising New York actor Mark William (BroadwayWorld Award Winner) and his manager Preston Ridge, whose experience in the world of independent film includes the likes of the Academy Award nominated The Whales of August, notable for being the last film of screen legend Bette Davis. Following a successful reading of the project at Manhattan’s legendary Studio 353 in August 2026, the trio locked in a pre production script of which they are most proud.

Since then, the team has been hard at work preparing BRIGHTER STARS ready for a 2026 production, which included rounding out their package. After all, James Miller is nothing without his Marco Ferreira, and in March 2026, they found him in Game of Thrones legend, Lino Facioli. A promising star from the age of 10, Facioli (also known for Sex Education, The Boy in the Mirror, Masters of the Air) has become an integral member of the team, bringing his flawless talent, powerful insight, and unmatched drive to the role and his involvement.

Now, no longer a trio, but an ever-growing team of creatives, the BRIGHTER STARS family is honored to partner with Filmmakers Collaborative Fiscal Sponsorship program, as they move forward toward production later this year.

THE IMPACT
The hunger for more queer stories has been palpable over the last decade thanks to hits such as Call Me by Your Name and Love, Simon. As the audiences who fell in love with these stories have matured, Brighter Stars will cater to the prime adult age demographics across the LGBTQIA+ community and give them an epic the likes of which they’ve never seen before and have long sought out. In a time when our modern world has become as tumultuous as the one James Miller fought to survive, the need for movies like BRIGHTER STARS has never been greater. Our story is designed to give strength and hope to not only our queer viewers, but all audiences who have ever felt othered or rejected by society, and remind them that they’re dreams are possible, as long as they hold true to those they love.

INFORMATION AND MATERIALS
If you would like to know more about the project, we are happy to share production materials, including our complete Pitch Deck, Synopsis, screenplay, and budget sheet. Please contact a member of the BRIGHTER STARS team or Logan Kelly.

brighterstarsmovie@gmail.com
logankellyinquiries@gmail.com

Our Films

On Summersweet Pond, third in the Threatened Species Film Series, celebrates the wonderfully interconnected interactions in the web of life found at freshwater ecosystems, from Buttonbush to Bee to Beaver. The film explores how resident and migratory species implicitly depend upon the health of freshwater communities, and the threats to the biota of ponds, while taking the viewer on a journey through the beauty of four seasons of pond life.

Although filmed primarily in Eastern Massachusetts, the series has broad national appeal, as demonstrated by the national and international success of its predecessors Beauty on the Wing: Life Story of the Monarch Butterfly and The Piping Plovers of Moonlight Bay. The Threatened Species film series covers meadow, marsh, dune, backyards, woodlands, shoreline, and freshwater and salt pond habitats.

The mission of Kim Smith Films and the Threatened Species Series is to educate and to promote the stewardship of endangered and threatened species. The natural beauty of Essex, Middlesex, and Suffolk Counties plays an integral role in creating an awareness to conserve our shared environment. Celebrating the beauty of wildlife and their habitats is not only a place where we can all meet but a lens focused on what we can become.

We recently received letters of interest from American Public Television for both On Summersweet Pond and Saint Peter’s Fiesta, our next two documentaries currently in production. The letters of interest demonstrate confidence in our ability to offer beautiful and educational films to public television programing and is especially noteworthy for our underwriting partners.

For more information about the film, underwriting, and to see a longer sample, please contact kimsmith.designs1@gmail.com

Our Films

For nearly 100 years, Gloucester’s annual Saint Peter’s Fiesta has captured the heart and soul of this vibrant fishing city. From the nine-day nightly novena prayer service through to the closing midnight harbor-side procession on the final night of the festival, the film explores the deep ties and generations of families that bind this vibrant ethnic community.

Festa di San Pietro is more than just a festival—it is a living tribute to the cultural and maritime legacy of Gloucester and a heartfelt reminder of the bond between sea and community.

The mission of Kim Smith Films is to create educational documentaries that celebrate and preserve our cultural and natural heritage. Our films are created for young and old and developed for national and international audiences, as demonstrated by the success of our two previous documentaries.

We recently received letters of interest from American Public Television for films currently in production, both Saint Peter’s Fiesta and On Summersweet Pond. The letters of interest demonstrate confidence in our ability to offer beautiful and educational films to public television programing and is especially noteworthy for our underwriting partners.

For more information about the film, underwriting, and to see a longer sample, please contact kimsmith.designs1@gmail.com

Our Films

Destroy All Girls is a feature film drama and road movie set against the backdrop of inline street skating in New Jersey and New York City.

Alex Martínez is stuck. Living at home with an overbearing Catholic mother while caring for her older brother Gabriel, a former competitive rollerblader who was injured in an accident, Alex numbs herself with substances and by cruising the streets of Union City, New Jersey on skates. When a group of international skaters pass through her local skate park making a video, Alex jumps on the opportunity to join them. Bouncing around NYC with nothing other than her skates and a camcorder, Alex begins to fall for the group’s enigmatic leader, Cameron, and the line between finding and losing herself starts to blur.

Creative Team

Starring Ani Mesa, Gil Perez Abraham & Dominic Bruce
Directed by Erin Vassilopoulos
Written by Ani Mesa & Gil Perez-Abraham
Screenplay by Flo Baumann & Erin Vassilopoulos
Produced by Ben Cohen, Joy Jorgensen & Chris Dagostino 
Associate Producer – Ray Mendez

Process

The movie is an exciting hybrid: scripted and stylized, the cast combines trained actors with street cast skaters and was shot on a blend of 16mm film and mini DV video.

Status

Working with film editor Olivia Neergaard-Holm (The Chronology of WaterThe Apprentice), we recently locked the edit. At this stage we’re making a push to raise the remainder of the financing we need to finish the film, which includes sound design, score, and our color grade. We have some exciting collaborators lined up for this next phase including sound designer Eli Cohn (Barbara ForeverFamiliar TouchPeter Hujar’s Day)

Thank you for considering supporting our project!

Our Films

Bash Town – is a stunningly powerful original full-length feature film drama about overcoming challenges and taking a stand to uplift your entire community.  Sebastian Townsend is a Black male teenager at an urban public school. He’s not in a gang and doesn’t deal drugs – but he and his friends face many poverty-induced challenges that sometimes put them in precarious situations.

Throughout the film we see Sebastian overcome hardships and evolve as a rising leader. Along the way he is inspired by his parents, an engaging history teacher, a radio news anchor, a Jewish Holocaust Survivor, the descendent of an enslaved man, and a local politician.  All these factors point the way for Sebastian to launch a campaign to run for City Council.

At the same time Sebastian experiences the complications around high school and the drama of teen romance.

Bash Town is a unique story that presents a Black teenager striving to better himself and a diverse population by advocating for educational equality and refusing to give-up when life throws up impossible odds. It’s a film that will inspire all demographics and lead the audience to cheer out loud as they see Sebastian persevere.

The team behind Bash Town consists of a diverse group of highly experienced producers who have worked on Academy Award winning films, successful documentaries, and popular TV programs.  The producers have also worked with inspiring teens who overcome a lack of resources in their community on a daily basis.  We have also produced content regarding Holocaust Survivors.

Currently Bash Town has secured $1.5-million in private investments (including our own) but seek an additional $1.3-million in order to produce Bash Town with a noteworthy cast and high-level production values.  Bash Town is the story that is needed in this period in time – and we seek your help in producing it such that it gets a wide audience that can motivate positive change.

Our Films

We are grateful for the generous support of our sponsors:

National Endowments for the Arts
Massachusetts Cultural Council
Lowel Cultural Council
Cabot Family Charitable Trust
Liberty Mutual Foundation
City of Boston Arts and Culture
Melrose Cultural Council
Watertown Community Foundation
Lynn Cultural Council