Ted Lieverman
Independent Filmmaker
Areas of Focus: Documentaries
Organization: Ted Lieverman Photography
Website: www.tmlphotojournal.com
Biography
Ted Lieverman is an independent documentary photographer and writer, focusing on issues of work, social justice and post-conflict communities. He has photographed in a number of different countries as well as in the U.S. His photos and stories have appeared in Global Post, Consortium News, Vietnam Magazine, Huffington Post, The Philadelphia Inquirer, The Asia-Pacific Journal, The Progressive (online), thINKing Dance, Transconflict, and several legal publications and NGO websites. He is a member of the National Press Photographers Association, the Philadelphia Pen and Pencil Club, and an associate member of The News Guild/Communication Workers of America.
Lieverman is a former photographer for Northstar Productions and an associate producer for their documentary film Guazapa: Yesterday’s Enemies about post-war El Salvador. He has focused his work on long-term stories. From 2013 through 2017, he covered the search for land mines and unexploded ordinance in former conflict zones. From 2019 through 2023, he embedded with a platoon of Philadelphia fire fighters working the night shift to photograph their work.
He is a graduate of Vassar College and Northeastern University Law School. He was an accredited international observer for the Cambodian parliamentary elections in 1998 and 2003. In 2011, he received a grant from the Fulbright Specialist Program to lecture on election reform in Belgrade, Serbia, and also taught election law at Vytautas Magnus University in Kaunas, Lithuania. He is a former chair of the Fund for Reconciliation and Development, a U.S.-based NGO working in Southeast Asia and Cuba.
Harvey: Eyes on the Struggle is his first feature-length film.
Films
Harvey: Eyes on the Struggle (2025)
Role: Independent Filmmaker
Harvey Finkle, a beloved Philadelphia photographer, wants to continue his work with social justice organizations but finds that, in his late 80s, his failing eyesight forces him to sell his camera and change his perspective on the real value of his lifetime work.








